Brian Postalian

Director + Producer

I direct theatre, produce performance, and teach and facilitate creative work.

Based in Toronto. Working across Canada.

Brian Postalian gestures while seated in a circle with workshop participants.
Photo: Oluchi Eze/Luniverse
Two performers in power wheelchairs laugh, one raising both arms.
Photo: Ana Maria Higuera

Co-Creator · Producer · Associate Director

Access Me

Developed over eight years by the Boys in Chairs Collective, Access Me is a queer disability sex-positive performance built from the lives and experiences of Andrew Gurza, Frank Hull and Ken Harrower.

Explore the project
A facilitator sits across a yellow game table from audience participants in a dim theatre.
Photo: Sebastien Galina

Creator · Director · Producer

New Societies

A participatory strategy game that grew from an experimental live performance into a national touring project, an online adaptation and a Mandarin-language iteration in Taipei.

Explore the project
A performer leans beside a reclining blindfolded participant in a room marked with blue lines.
Photo: Marlowe Porter

Director · Producer

The Smile Off Your Face

The Canadian premiere of Ontroerend Goed's intimate one-person-at-a-time performance, presented by Re:Current Theatre at SummerWorks and recognized with the festival's Award for Best Production.

Explore the project

Producing, teaching and working together.

Brian Postalian speaks into a microphone beside collaborators at a SummerWorks award celebration.
Photo: Dahlia Katz

Producing

From independent productions to festivals: work with O.Dela Arts, PuSh, SummerWorks and the artists bringing new performances to the stage.

See producing projects
Brian Postalian smiles while facilitating a BOLDLY workshop, standing beside handwritten feedback notes.
Photo: Sebastien Galina

Teaching & Facilitation

Making performance with students, leading workshops and helping artists give and receive useful feedback.

Teaching, workshops & feedback

The practice

I’m interested in what happens when we share a space.

I think about what we ask of an audience: where they go, what they do and how they meet the performers and one another. Those questions start in rehearsal and continue through the planning, funding and partnerships.

For me, directing and producing are connected. An artistic idea needs time, space and people to try it. A budget or schedule matters because it shapes what we can make together.

More about me

Current + Recent

A Midsummer Night's Dream

Director · Sheridan College / University of Toronto Mississauga · 2026

A ten-actor production of Shakespeare's comedy created for the Theatre & Drama Studies classical project, with a stripped-back visual language and an ensemble-led rehearsal process.

Production details (opens in a new tab)

Publications & Features

Published work and writing about my practice.

Cover of PLAY: Dramaturgies of Participation

PLAY: Dramaturgies of Participation

Jenn Stephenson and Mariah Horner discuss New Societies and Access Me, alongside my reflections on making participatory work.

Playwrights Canada Press · 2024

Buy the book
Cover of Interdependent Magic: Disability Performance in Canada

Interdependent Magic

Access Me, co-created with the Boys in Chairs Collective, is published in this anthology edited by Jessica Watkin.

Playwrights Canada Press · 2022

Buy the book
Canadian Theatre Review issue 204 cover: Creative Care, Fall 2025

Canadian Theatre Review

Derek Manderson discusses New Societies in “Team Dramaturgy: Audiences Playing (and Caring) Together.”

Issue 204 · Fall 2025

Read or buy the article
Young performers leap and toss pillows during Everything You’ve Always Wanted.
Photo: Neil Silcox

Get in Touch

Tell me what you’re working on.

It might be a production, an unfinished idea or a question about what comes next. I’d like to hear about it.

Get in Touch